Puella Magi Madoka Magica - Wikipedia. Puella Magi Madoka Magica. Cover for first DVD/BD volume of Puella Magi Madoka Magica featuring two characters, Madoka Kaname (right) and Homura Akemi (left). It was directed by Akiyuki Shinbo and written by Gen Urobuchi, with original character designs by Ume Aoki, character design adaptation by Takahiro Kishida, and music by Yuki Kajiura. The story follows a group of female middle school students who choose to become magical girls and must battle surreal enemies called witches. The Operational Technology Division (OTD)—based in Quantico, Virginia—develops and deploys technology-based solutions to enable and enhance the FBI’s. It originally aired on the Fox network in the. Back in the 80s and 90s anime fansubs were distributed entirely on VHS tape - a whole ecosystem of tape sharing and trading that no longer exists. Catch up on episodes of The Magicians, which airs on Syfy. With the Fairy threat growing, and magic dying, the Magicians must battle a god to save the world. Magi: The Labyrinth of Magic anime info and recommendations. In a sand-swept land of caravans, brigands and adv. However, they consequently learn of the anguish and perils associated with their newfound roles. The first ten episodes of the series aired in Japan on TBS and MBS between January and March 2. April 2. 01. 1 due to the 2. T. A manga adaptation of the series and various spin- off manga series have been published by Houbunsha and licensed in North America by Yen Press. A novelisation by Nitroplus was released in August 2. Manga Time Kirara Magica, was launched by Houbunsha in June 2. A video game for the Play. Station Portable was released in March 2. Play. Station Vita released in December 2. A film series has also been produced, consisting of two films recapping the anime series, released in October 2. October 2. 6, 2. 01. A concept film acting as a trailer for a new project was screened in December 2. Puella Magi Madoka Magica has received universal critical acclaim, with critics praising the writing, visuals, and soundtrack of the series as well as its unorthodox approach to the magical girl subgenre. It has also been a commercial success, with each BD volume selling more than 5. The series has won several awards in Japan, such as the Television Award at the 1. Animation Kobe Awards, as well as 1. Newtype Anime Awards and the Grand Prize for animation in the 2. Japan Media Arts awards. In the fictional city of Mitakihara, Japan, a middle school student named Madoka Kaname and her friend Sayaka Miki encounter a small, cat- like creature named Kyubey. It offers a contract in which a girl may have any wish granted in exchange for obtaining magical powers and being tasked with fighting against witches. Meanwhile, a transfer student and magical girl named Homura Akemi tries to stop Madoka from making the contract with Kyubey at all costs. Madoka and Sayaka then meet Mami Tomoe, an upperclassman at the same school who is also a magical girl and offers to bring them along on her witch hunts so that they may learn of the responsibilities that come with being a magical girl. As Madoka contemplates accepting the contract with Kyubey, she witnesses the death of Mami at the hands of a witch and realizes that a magical girl's life is filled with danger, anguish, and suffering. This is further enforced by the appearance of Kyoko Sakura, a veteran magical girl whose wish indirectly caused the death of her family. Madoka also discovers that not only do magical girls give up their souls to form their Soul Gems, the source of their magic, but when those Soul Gems become too tainted with despair, they transform into the very witches they fight against. This is exemplified when Sayaka, heavily disillusioned with the current state of the world, falls into an irrecoverable despair that turns her into a witch. It is then revealed that Kyubey's alien race is harvesting the emotions from magical girls to use as energy to counteract the spread of entropy. Madoka also learns that Homura is a magical girl from a different timeline who has repeated the same month countless times in order to try to save Madoka from a grisly fate. After these revelations, Madoka decides to become a magical girl with the wish to stop witches before they are created. This rewrites the laws of the universe, resulting in Madoka transcending into an abstract concept called . During the early planning stage, Iwakami decided not to adapt an existing work in order to give Shinbo more freedom in his direction style. Iwakami and Shinbo intended for their series to be accessible to . Due to Puella Magi Madoka Magica being an original series rather than an adaptation based off an already existing work, he described the main goal solely as . After viewing the character designs that Aoki created, he became fully assured that he could trust the creative talent of the team. In an interview with Anime News Network after the series finished airing in Japan, Iwakami summed up his philosophy as . If something comes to a stand- still I might intervene, but they did an excellent job and I was very happy seeing the results in episode one. The director also specifically sought for many of the magical girl characters to be killed throughout the series. Shinbo planned for the series to be advertised in an innocent and pure manner that would deliberately conceal its dark undertones. Urobuchi further misled fans following the development of the anime by using his Twitter account to try to convince them that the plot of the series was very innocuous. The true nature of the series was disguised because Shinbo strongly desired for its dark themes to come as a complete surprise to the viewer. For example, there's nothing sexually explicit in it. There's some death, but it's not gratuitous; it can be explained within the context of the story. Other inspirations he credited for contributing to the series included horror fiction author Stephen King as well as previous projects that Shinbo directed such as Hidamari Sketch and Magical Girl Lyrical Nanoha. The first episode would throw the viewer into a specific part of the story with unknown context, the second episode would then define the particular rules governing the story's setting, and the third episode would be responsible for divulging the revelation in the plot so as to hook the viewer. This decision was controversial, and Urobuchi recalled production staff members continually approaching him and asking him to reconsider due to their own fondness for the character. However, he refused and the plot remained unchanged during production. Nevertheless, Urobuchi realized that this progression could be very hard for viewers to accept and might hurt the overall series' success with some audiences, commenting: . He indicated that he would first determine the actions and the ultimate fate of a character before even assigning it a name, and contrasted this with other writing methods which first focused on developing the characters and then creating a storyline for them to follow. He again defended his decision to have Mami die, claiming that this could actually have the converse effect of making her character even more memorable, saying, . Precisely because of the way they died, they were able to live forever. Urobuchi declined, asserting that her death was too integral to the overarching story. However, Urobuchi again refused, explaining that this would be impossible with regard to the already- established rules governing the story. As one of the primary antagonists in the series, Iwakami stated that . Lovecraft, commenting of Kyubey: . Justice for some people is an evil for others. Good intentions, kindness, and hope will not necessarily make people happy. However, once the issues were resolved, production began without any further complications. An example is during a scene in the final episode where the team added black wings to Homura, something which was not included in Urobuchi's writing. Urobuchi praised this aspect of the production, commenting that . Shinbo had previously worked with Kajiura on Le Portrait de Petit Cossette, and Urobuchi told of the inspiration the music from that series had on him while writing parts of the script. Stating that he had long been a fan of her anime soundtracks, Urobuchi also praised Kajiura's work ethic, remarking that she would always fully familiarize herself with the plotline of the story while composing for it. However, due to the 2. T. Additionally, TBS elected to cancel its scheduled airing of the 1. However, he also indicated that the postponements could be viewed in a positive light because they alleviated some production pressures placed on animation studio Shaft due to the tight broadcast schedule. Citing particularly challenging drawings for episodes 1. Urobuchi and Iwakami planned to have Shaft continue to improve the episodes immediately up until their new air time. Furthermore, Urobuchi remarked that if episode 1. However, the production team reported that they were continuing to work on the episodes and announced their intention to finish airing the series by April. Episodes 1. 1 and 1. MBS to conclude the series, while TBS and CBC ran episode 1. He mentioned that Shaft was always pressed for time during the production process and only just managed to complete each episode right before its air time. After the earthquake and tsunami occurred, he stated that much of the staff was rattled by the incident and because of this they were not able to work effectively on episodes 1. However, in overcoming this situation, he remarked . The sixth and final volume released on September 2. The first film, which covers the first eight episodes of the TV series. It was released to Japanese theatres on October 2. A direct adaptation of the anime series, illustrated by Hanokage, was published in three tank. The plot depicts the events that happened between Puella Magi Madoka Magica the Movie: Eternal and Puella Magi Madoka Magica the Movie: Rebellion. The game allows players to take many routes, changing the fate of the original storyline. During that campaign, players had a chance of obtaining various playable Madoka characters through the Gatcha. There were also Puella Magi Madoka Magica themed missions, weapons, and items during that time. Slot Puella Magi Madoka Magica 2 features the song . The game will feature the theme song . In his 1. 0 out of 1. UK Anime Network's Andy Hanley lauded the series for its deeply emotional content and described it as immersive and filled with grandiose visuals along with an evocative soundtrack. Magi: The Labyrinth of Magic (manga)Have you read this? Alice (a Titles & Air Dates Guide). Episode list & details from. TVmaze . We are just providing. We cannot vouch for the user experience. Any sales or other.
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